Ìåòîäîëîãè÷åñêèå îñíîâû èññëåäîâàíèÿ ôîðìèðóþùèõ ïîòåíöèàëîâ ìóçûêàëüíîãî èñêóññòâà

Íàó÷íûå ïðîáëåìû ãóìàíèòàðíûõ èññëåäîâàíèé. – 2011. - ¹ 1. – Ñ. 125-132. ÁÁÊ 88.4 ÌÅÒÎÄÎËÎÃÈ×ÅÑÊÈÅ ÎÑÍÎÂÛ ÈÑÑËÅÄÎÂÀÍÈß ÔÎÐÌÈÐÓÞÙÈÕ ÏÎÒÅÍÖÈÀËΠÌÓÇÛÊÀËÜÍÎÃÎ ÈÑÊÓÑÑÒÂÀ È. Â. Êóðûøåâà METHODOLOGICAL BASES OF RESEARCH OF FORMING POTENTIALS OF MUSICAL ART I. V. Kurysheva  ñòàòüå èçëîæåí ìåæäèñöèïëèíàðíûé äèñêóðñ ïî ïðîáëåìå âëèÿíèÿ ìóçûêàëüíîãî èñêóññòâà íà ÷åëîâåêà, îáóñëîâëåííûé ñëîæíîñòüþ ïðåäìåòà èññëåäîâàíèÿ. Àâòîðîì ïðåäñòàâëåíû îñíîâíûå ïîäõîäû ê äàííîé ïðîáëåìå, ïðîàíàëèçèðîâàíû èññëåäîâàíèÿ ïîñëåäíèõ ëåò. In clause the interdisciplinary discourse on a problem of influence of musical art on the person, caused by complexity an object of research is stated. The author presents the basic approaches to the given problem, researches of last years. Êëþ÷åâûå ñëîâà: ìóçûêàëüíî-õóäîæåñòâåííîå ñîçíàíèå, ÿçûê ìóçûêè, ìóçûêàëüíîå âîñïðèÿòèå, ðàçâèòèå òâîð÷åñêîé ëè÷íîñòè Keywords: musical-art consciousness, language of music, musical perception, development of the creative person

Àâòîð: ×åðåìèñîâà (Êóðûøåâà) Èðèíà Âàëåðüÿíîâíà